Hello Unscripted World! How have you been? These last few weeks have been an amazing rollercoaster ride filled with all kinds of inspiration! I'll be launching a refurbished UnscriptedLife very soon! Thanks for all of your patience while I move the furniture and steam the curtains (so to speak type).

Onto the fun! I saw this a few minutes ago and stopped everything to post it. If there is one thing you should know about me, it is this: I LOVE WATCHING PEOPLE WHO ARE GOOD AT THEIR CRAFT! I don't even care what they are doing. I just love watching people who excel at whatrver it is they do. This video definitely falls into that category!

I'm not even going to give it an intro. It doesn't need one!

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"A portion of your soul has been entwined with mine.
A gentle kind of togetherness, while separate we stand.
As two trees deeply rooted in separate plots of ground,
while their topmost branches come together,
forming a miracle of lace against the heavens."
~ Janet Miles

It seems like everyone has advice when you get married.

Don't go to bed angry. Learn to love the other's faults. Let go of the little stuff. Don't forget to put the seat down. Always keep the lines of communication open. Lots of sex and clean towels...

These are the most common gems of advice Sweet-D and I heard when we were getting ready to walk down the aisle.

And although all of the above advice is true (yes, even the towels part), the best advice came from the mother of my sorority (who also happened to be the officiant over the wedding). She said to us, "You are two separate people who are joining your lives together. Never lose who you are as an individual. Love the individual you married, but don't ever let them lose sight of who they are as a person. You become one, but you still stand on your own two feet."

It was truly the best advice anyone could have ever given us. It alone has driven us to this day.

Surprisingly, a lot of married couples we run into don't understand this concept. They question why I "let" my husband spend the weekend with his friends in front of the TV playing video games and watching anime. They don't understand how he can "let" me go to an off-Broadway show with a male friend who enjoys musicals as much as I do. Notice the quotation marks around the word "let." That alone points to the problem.

The critics expect the other person in their own marriage to change, to give up the things they enjoy if the other person in the couple doesn't enjoy it in the same way. When one part of the pair wants to be an individual, that person must first seek permission from the other. Sometimes half of the whole will "let" the other live something without them. They replace the "me and you" in the relationship with only an "us."

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The quote above says it most eloquently: "As two trees deeply rooted in separate plots of ground, while their topmost branches come together..."

It's a beautiful concept that if followed will really keep you grounded in a marriage. Two separate, individual lives who share one love. Two whole people who form one complete pair.

You may be wondering why, out of the blue, I'm talking about love and marriage. Well this is a very special day for a very special friend of mine - Derek Green.

You may remember me talking about Derek in the past. He's such an UnscriptedLife inspiration. His photos freeze moments of joy in time. He has this amazing ability to transform a romantic moment into a love story of its own.

Today, Derek will is writing another chapter in his own love story. He's marrying the beautiful Diane, who also happens to be quite a skilled photographer.

I thought today would be fitting time to showcase some of the images of love Derek and Diane have been capturing.

Congratulations you two! I can't wait to see your moments of love on this very special day!


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Of course, I have to leave today's beautiful bride for last. Debuting here on UnscriptedLife is Derek's love Diane!

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From the entire Unscripted family, thank you for capturing the beautiful moments of life! Best wishes on your very wonderful wedding day! We love you both!

To see more of Derek and Diane's work, check out their Facebook page. And while you're there, give it a "like."

I love all the fun technology is having with Christmas!

Today is the one day out of the week I am most inspired. There is something about leading worship and feeling the Holy Spirit move around the stage that just lingers with me all day. It's a truly indescribable feeling.

So that got me thinking about how I could build on the inspired feeling I get every Sunday here on Unscripted Life. And I decided today would be the one day of the week, more than any other, where I have to post what is inspiring me. It's weekly series of sorts. A special time to shine the spotlight on very deserving people.

For the first Sunday spotlight, I've chosen my dear friend, Derek Green. You'll recognize the name from the series I did about him a few months ago. Check it out here and here.

Derek used his blog to show the process behind his stunning photography. Each photograph tell its own story and is good in its own right, but it's also a really cool chance to watch the artist grow through his work.

Derek wrote a blog not too long ago about this very subject and agreed to let me re-post here on Unscripted Life. Enjoy!

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Developing As An Artist
by Derek Green

michelle-cover-11x14-webI was watching a video on @chasejarvis new website, www.creativelive.com, of Vincent Laforet. Now if you don’t know who Vincent Laforet is, click his name to find out, but the quick gist is, he’s a over 20 year vet of photojournalism, having worked for The New York Times, he’s no slouch! He also became a household name among videographers/filmmakers with an online video shot on the Canon 5d MarkII called Reverie. During this vidcast he was discussing filmmaking using new hd dslr cameras, but something Vincent said stuck in my head.

“Content is Key”, is what he said.

During Vincent’s vidcast he was discussing how content is key to telling a good visual story in relationship to film making/moving images. He loosely stated that a movie shot on a lower quality device with great content will outshine a film made on 35mm with lackluster content. Buying the most expensive piece of gear available will never take the place of good content/vision. This takes me back to my “Importance of Style” post, where I mentioned paying attention to what makes you you as a photographer. Now I’m not claiming to have all the answers to what makes a photograph/photographer great or not; photography, like any art is completely subjective. Personally though, a photograph that has had no more thought put into it than a snap shot and had a few Photoshop actions run on it, probably won’t do that much for me, but then again sometimes I’m looking for a whimsical snap-shot aesthetic. The difference is, what is done on accident and what is done on purpose.

Victoria-BTS10204Dolly Parton said, “It costs a lot to look this trashy.” All of those brilliant lifestyle shots you see in magazines that you usually give no more than a passing glance to, can cost a lot of money to look that casual, from assistants, models, to travel and lighting, etc. Most people know this as an after thought, but what is not taken into consideration is the photographers creative eye. That is what professionals are paid for. That is why “Uncle Bob” will not get you the same photos at your wedding that a pro would, and that’s also why “Uncle Bob” doesn’t shoot the cover of Vogue. Now I know it sounds funny when you think of your uncle shooting the cover of Vogue, but it’s not as funny knowing people ask their uncle to shoot their wedding. Sorry “Uncle Bob”!! :)

The bottom line is it’s not the gear you have/use that will make you a better artist. Proper gear will help, but it’s not the key to unlocking your vision. A true artist would draw with a piece of rock on slate if that’s all they had. The only way to develop a style, which I’m also still developing, and most likely will never stop, takes a long time of continuous shooting. My mentors preach this all of the time. My vision will evolve, just like my taste for wine, it’s the only way to move forward. I’ll set up shoots all the time to practice ideas that I have, cause that’s the only time to practice them, and recall them when the chips are down. You certainly don’t want to show up to a shoot, and have your client, model, or your crew looking at you like you are unsure about what to do, because you haven’t rehearsed enough to have a “toolbox” of ideas and tech skills. Even the best in the business have to practice new ideas.

Don’t be frustrated at where you are in developing who you are as an artist. No one sits down at an instrument and immediately knows how to play it. You learn scales and rudiments, the “ABC’s” of an instrument, and once they become second nature, you can focus on becoming a musician. You can’t write a novel when you’re first learning to write, but you can enjoy in the fact that if you are working hard enough towards a goal that it will eventually pay off.

Between tearing out a kitchen and losing a charger to a toddler fit, it's been awhile since I've posted! But I have good news! I'm back! The kitchen isn't done yet... I think I'm starting to get used to the smell of burnt plaster... but the charger is fixed, er, new rather.

Today, I'm continuing my series on Derek Green. I hope you like him, because you will be seeing a lot more from him in the future on this site (and in magazines... I'm calling it now)! You sent in questions, and I sent them onto Derek. He had a lot of fun with this, so please keep the questions coming!

16980_253894617599_536867599_3253336_753164_nQ: Are there any techniques for reducing shadows on sunny days?

Derek: There are a couple of ways to reduce shadows, you can use fill flash (which i don't use), you can use a reflector (or a piece of white foam core art board from wal-mart) which I do a lot, or you can do what other professional photographers do and shoot in open shade to make sure the light on the model is even.

Q: Is it better to shot with a filter on your camera or just use the filters in photoshop?

Derek: My personal preference is to shoot as clean in camera as possible and add later. I treat my files (which I shoot in RAW mode) as if they're a digital negative, where I have as much information as possible to make decisions later. This is no excuse for not knowing what you want your shot to look like, but it gives you more control, and I feel shooting through filters reduces the optical image quality.

Q: In some of your photos, you use the sun in very creative ways. How did you learn to do that?

Well... I saw this technique used by a photographer by the name of Nick Onken. I love lens flare... LOVE IT!! :) Some people (including my mother) HATE IT!! :( Essentially to shoot into the sun takes a lot of practice to get just right. You have to shoot in manual mode because your camera's light meter is going to expose for the bright sky/sun light... I'm at the point where I can get pretty close pretty quick, I'll over expose anywhere from 1-2 stops.

26555_382505857599_536867599_3876531_4318102_nQ: Any tips for getting good shots of kids?

Derek: A LOT of patience helps! :) If your camera has the ability to take multiple frames per second and has a servo focus (which is just a focus setting that allows your camera to continuously change focus while tracking a subject) you will be in good shape. I think good shots of kids are just putting them in their element, and letting them do what they do.... Props are always fun! Anything from sunglasses, umbrellas, or paper planes! :)

Q: What kind of photoshop actions and filters do you use?

Derek: I'm not a huge action fan, but I do use a few. They are by Boutwell Studios, called the Totally Rad actions... I use the yin/yang action for dodging and burning, the sharpen for web if the image is going to the internet, and every once in a while I'll use pool party or grandma's tap shoes actions to give a retro vintage vibe.

Most of my colors and contrast is done in a program called capture one pro which is a RAW processing software. Once I'm done in there, I'll export my files as JPEG then send them to photoshop, and do any small retouching that may need done, and finally add a film look from a program called Exposure 2 by a company called Alien Skin.

If you have a question, feel free to post it here or shoot me an email at This e-mail address is being protected from spambots. You need JavaScript enabled to view it .